Toronto: University of Toronto / The Champlain Society, 1976. First Edition. Original Wraps. 8vo - over 7¾" - 9¾" tall. Bound into stiff paper wraps with flaps. Browning toward upper edge of front panel. Light foxing to outer edges. Features the faculty [Milton Acorn, Dennis Lee, and Joe Rosenblatt] and..... More
Toronto: House of Anansi, 1971. First Edition. Hardcover. Octavo. Pp. [vi], 58. Black cloth, gilt spine lettering, white endpapers. This copy signed by the author on the title page. Gift inscription to front free endpaper; paper tanning as usual, else near fine copy in slightly scuffed orangy-red dust-jacket designed by..... More
New York: Harper & Row. First US Edition. Hardcover. Small Octavo. Pp. [vi], 56. Blue cloth, backed in blue cloth, silver spine lettering, red endpapers. Light bump to foot of spine and ink name to flyleaf. Good clean copy. First American edition. More
New York: Harper & Row, 1971. First Edition. Hardcover. Small Octavo. 8vo. 56p. Quarter light blue boards over dark blue with silver spine lettering. Spine of boards a little sunned and faded at the spine ends, else clean and unmarked in a very near fine dust jacket, save for some..... More
Boston: Atlantic Little Brown, 1970. First Edition. Hardcover. 8vo. Slim 8vo. 79p. Reddish cloth with gilt spine lettering. Spine ends very light bumped, dust jacket with a crease to the front flap and light nicks to the spine ends and light scuffing to the rear cover. Signed by Margaret Atwood..... More
London: Jonathan Cape, 1973. 1st UK edition. Cloth. Octavo. Black cloth with gilt titles to spine in decorative dust jacket. Minor spotting to edges. Minor foxing to endpapers. Dust jacket worn at extremities. Small ink inscription to endpaper. First published in 1964. More
Toronto: McClelland & Stewart, 1964. 1st Edition. Cloth. 8vo. Gilt lettered black cloth in decorative dust jacket. Ownership stamp to endpaper. Some age darkening to dj spine with two mild abrasions. Short tear to top of front panel o/w very nice copy. In our experience the hardest of Cohen's titles..... More
Toronto: McClelland & Stewart, 1964. First Edition. Hardcover. 8vo. Gilt lettered black cloth in decorative dust jacket. Interior fine, crisp, and clean. Dust jacket fairly bright for a white dust jacket, slightly a bit more toned around the edges and spine, with light wear at the spine head and white..... More
Buffalo: Allen De Loach/Intrepid Press, 1969. First Edition. Original Wrappers. 4to. Mimeographed sheets stapled into printed red stiff paper covers. More
Toronto / Montreal: Rowsell & Hutchison / Eben Picken, 1892. First Edition. Cloth. 12mo. With a supplimentary chapter of Canadian Archaeology. Bound in brown cloth with black printing to the front cover; gilt to spine. Spine slightly faded, some faint shelfwear. More
Niagara: Mail Office, 1859. 1st. Cloth. 12mo. Red embossed cloth with gilt title on the recased spine. One front endpaper renewed o/w a vg copy. Long epic poem from the author of "the Golden Dog" about the settling of Upper Canada by the United Empire Loyalists. 178 pages plus errata..... More
Toronto: Contact Press, 1962. First Edition. wrappers. 8vo. 131pp. Printed card covers in dust jacket. Hard bump to the spine head, with small chipping to the jacket also at head, and light nicking to the spine foot. Pencil name to front endpaper. Signed by Souster on the title-page, later signature..... More
Toronto: Contact Press, 1956. First Edition. Original Wraps. 8vo - over 7¾" - 9¾" tall. Original printed stiff paper wraps, lacking dustjacket, but includes "New Poetry Publications" advert laid in to rear. With some wear to outer extremities and a crease along centre of spine, which is also slightly browned..... More
Montreal: Contact Press, 1954. First Edition. Original Wraps. 8vo - over 7¾" - 9¾" tall. Bound into stiff paper wraps printed in grey, black and yellow. Slight browning to spine. First poems by three Canadian Poets. With liquid paper correction to Mandel's mis-spelled name on front cover and on title..... More
Oxford. Duffy, Helen. Softcover. An exceptional archival look at a long artistic friendship between Miriam Waddington and Helen Duffy, as they frequently collaborated, which included a series of Duffy's drawings that were framed with Waddington's poems as an exhibit for the Merton Gallery in 1977, and Duffy drew many of..... More